Мой дизайн Новости мира This Tiffany Window Broke All the Rules

This Tiffany Window Broke All the Rules

Ever witness alchemy in action? Stand before Louis Comfort Tiffany’s Landscape Window, and you will. Created between 1905-1915, this masterpiece captures light in a way that transforms glass into a living, breathing scene of nature. The window, made by Tiffany Furnaces and Tiffany Studios in Corona, New York, represents the pinnacle of Tiffany’s techniques that would forever change how we perceive the possibilities of glass.

Tiffany, the son of renowned jeweler Charles Lewis Tiffany, began his artistic journey as a painter but found his true calling in glass. His revolutionary opalescent glass, patented in 1881, allowed form to be defined by the glass itself rather than by painting onto it, creating greater depth and luminosity. This departure from existing methods was initially rejected by traditionalists, but Tiffany persisted, and in doing so, elevated glass from craft to high art.

Stained glass window design featuring trees and a mountain landscape

Courtesy of Corning Museum of Glass.

Landscape Window, designed by Louis Comfort Tiffany

The Landscape Window uses colorless and multicolored non-lead glass, rolled sheet glass, lead cane, and copper foil to create a scene that seems to change with the passing light, just as a natural landscape would. It’s currently on view in Brilliant Color, the Corning Museum of Glass‘s new exhibition.

Brilliant Color contextualizes Tiffany’s window, among other works, within the larger chromatic revolution that swept through fine and decorative arts in the late 19th and early 20th centuries. It was a period when artists were pushing the boundaries of what glass could be.

Decorative plate featuring intricate floral patterns.

Courtesy of Corning Museum of Glass.

The Great Dish, engraved by George Woodall and manufactured by Thomas Webb and Sons

«Consumers around the turn of the 20th century were wildly enthusiastic about colored glass,” exhibition curator Amy McHugh explains. “Glass manufacturers met that demand with extensive experimentation in the medium, resulting in bold new colors and iconic designs.”

The exhibition features over 140 works spanning from the Gilded Age to contemporary pieces, showcasing pieces from Émile Gallé, Frederick Carder, Leo Moser, and René Lalique.

Abstract geometric vase with purple hues and reflective surfaces

Courtesy of Corning Museum of Glass.

Detail of the “Alexandrite” Vase exposed to full spectrum lighting. Designed by Heinrich Hussmann and made by Karlsbader Kristallglasfabrik A.G. Ludwig Moser & Söhne und Meyr’s Neffe, in Czechoslovakian.

The exhibition unfolds across four curated sections: Spectrum of Color greets visitors with a dramatic large-scale installation of glass objects arranged in rainbow order. Color Innovation celebrates designers who developed previously unseen colors and techniques—like cameo-carved glass, heat-sensitive pieces that change color when handled, glass made to imitate stones like malachite and rose quartz, and the iridescent glass that became synonymous with the era.

The Color and Light section focuses on glass that changes colors or is animated by light and movement. And the final section, Color Today, considers how contemporary artists continue to experiment with color, featuring works by fused glass artist Klaus Moje and the cast glass duo Jaroslava Brychtová and Stanislav Libenský.

Ceramic vase with vibrant patterns and colors.

Courtesy of Corning Museum of Glass.

Niijima 10/99-B1, by Klaus Moje

Opening today, May 10, 2025, and running through January 11, 2026, this exhibition is a must-see for anyone who appreciates the intersection of art, science, and human ingenuity. Long before our era of mass production, artists and scientists collaborated to create objects of wonder that still have the power to take our breath away—here, you’ll walk away with a deeper appreciation for the human drive to transform the ordinary intro the extraordinary.

glass perfume bottle

Courtesy of Corning Museum of Glass.

Perfume Bottle designed by Henry G. Schlevogt

Headshot of Julia Cancilla

Julia Cancilla is the engagement editor (and resident witch) at ELLE Decor, where she manages the brand’s social media presence and covers trends, lifestyle, and culture in the design world. Julia built her background at Inked magazine, where she grew their social media audiences by two million, conducted interviews with A-list celebrities, and penned feature articles focusing on pop culture, art and lifestyle. Over her five years of digital media experience, Julia has written about numerous topics, from fashion to astrology.

Источник

Related Post

How the Colossal Sets of ‘The Brutalist’ Convey the World of a Visionary ArchitectHow the Colossal Sets of ‘The Brutalist’ Convey the World of a Visionary Architect

How a three-and-a-half hour movie about a Hungarian architect became a sleeper hit is a story for the ages. But attention is being paid, especially since The Brutalist—starring Adrien Brody