When a Toronto legal eagle who happens to be a hardcore design hound moved into a new home in the city’s Rosedale neighborhood, she knew exactly what she wanted: something moodier and edgier than her last place. She was done with the white wall living that defined her previous home. “I wanted a feel of age and patina,” she says. “The last thing I wanted was a new-build vibe.”
So she enlisted Montana Labelle, the rock star of the city’s design scene, to renovate her 1911 Dutch Colonial–style home. The interior designer, who has long Hitchcock-blonde hair and intricate wrist tattoos (her Canadian parents named her Montana “just because they liked the sound of it”) is a graduate of the Parsons School of Design in New York, and she has a wait list among Toronto’s young professional set. She also has a lifestyle brand featuring objects she creates largely out of her favorite material, marble—everything from richly veined salad spoons to toothbrush holders to toadstool-shaped side tables.
A custom bookcase holds the homeowner’s collection of Montana Labelle Lifestyle and vintage ceramics. The chair is by Adrian Pearsall.
Despite her firm’s growth, Labelle is selective about the clients she takes on, and she keeps a relatively low profile. “She has managed to remain a bit of a mystery,” says Tommy Smythe, a Toronto decorator and television personality. “Montana is a bit of an outsider, and as such she has attracted the right kind of people. She’s working with clients who want her to create a world for them. She’s truly an artist.”
The living room mantel in the 1911 home was covered in volcanic ash–glazed tile by Formafantasma for Dzek. Custom cocktail table; Montana Labelle Lifestyle bowl; Samsung Frame TV.
Labelle’s face lights up when she speaks of her passion for craftsmanship and objects with beautiful imperfections. “People are craving authenticity and connection in their spaces more than ever,” she says. “Cookie cutter decor is being swapped out for unique pieces that tell a story and add personality to a home.”
The dining room’s Cresco table by Acerbis is framed by 1970s Mobil Girgi chairs and a vintage Fritz Hansen settee. Sconces by RBW; Venetian plaster walls in Benjamin Moore’s Natural Cream; artwork by Michael J. Kuczer.
For this 4,000-square-foot residence she created a bathroom vanity out of a midcentury brutalist dresser, clad a living room mantel in Formafantasma volcanic tiles, and planted a deep clay soaking tub in the primary bathroom. She also enlisted decorative painter Jeanne Shemilt to sheath the walls in rich Venetian plaster finishes. “I wanted every room to feel warm and curated,” Labelle says.
In the primary bath the clay soaking tub is by Studio Loho. Vintage Pierre Chapo chair; walls in Benjamin Moore’s Masada.
The hands-on approach extended to the client, who appears to be as conversant in French designers from the 1960s and in midcentury Italian lighting fixtures as she is in the law. She and Labelle, together with Shemilt, put their heads together, and within a year (which in design terms is basically the blink of an eye) they had created a richly realized and one-of-a-kind monument to the power of women who know what they want—and what they don’t. “What can I say?” says the homeowner, whose first project with Labelle was eight years ago. “We are very efficient.”
Tour this Handcrafted, Patina-filled Toronto Home
The lawyer had no desire for a house that looked like the neighbors’ homes. “She is moody in a good way,” Labelle says. “She likes rooms that are dark and interesting. We wanted to create something that would reflect her personality.”
Walls were knocked down, curios were purchased, and each room became a modern yet eminently livable refuge. There were vintage wall tapestries, a midcentury Italian modular sofa now re-covered in earthy Dedar stripes, and in the family room Labelle designed white shutters and had them customized with polka dot cutouts. The goal was to nail down the cool factor but with nothing cold about it.
Labelle found many of the home’s vintage pieces on Etsy, as well as at Texas and Massachusetts antiques fairs, from which she livestreamed her favorite finds to the client. “I’d send a picture, and within minutes she’d say yes or no,” the designer says. Labelle pushed her to accept groovy finds. For her part, the owner insisted on a bathtub and a laundry room sink ample enough for her goldendoodle, along with a long harlequin-tiled hall corridor where her dog could frolic on freezing winter days.
Though the project wrapped two years ago, Labelle and the client still text daily—about their pets or cool design images they spot on the internet. The homeowner now has a dream home as well as a friend and thought partner—and no regrets. “It’s a very different house,” she says of her place. “Every time somebody comes over, they say it’s unlike anything they’ve ever seen before. And I know if I ever had to move out of this house for whatever reason, it would be okay, because Montana would help me make the next one equally amazing—if not more.” ◾
This story originally appeared in the May 2025 issue of Elle Decor. SUBSCRIBE
